Tuesday, 11 September 2018
Released on August 31st via Putrid Coffin Records, we have the Rampage split featuring Agonal Breathing, Gangrenectomy, Pit Of Toxic Slime, and Traumatomy.
Up first we have Agonal Breathing's portion. These guys are hands down my current favorite brutal death metal band in the scene right now. The Snare is pingy as fuck, the riffs slam and trudge along like a caveman and the vocals are some of the dirtiest gutturals I've heard in a long time. Opening the split we have the aptly titled Victims of The Rampage, first we get a sound clip of an air raid siren and whats probably the creature on the front of the cover gorging itself in gore. The drums are heavy on the double bass for most of this song before slowing right the fuck down to an immovable pace where they just bludgeon you alongside the riffs. After that we get a cover of a Carnifex classic, Slit Wrist Savior. This is probably my favorite track here, not just because it's a killer rendition of the song but partly for the nostalgia factor that comes with it for me. After this we get two more slabs of undeniably heavy slam, "Through Rotted Human Debris" and "Partial Detruncation". These tracks show that Agonal Breathing have much more to offer than what was first shown on last years full length Pure Agony and that their here to stay.
Up next we have Gangrenectomy. Honestly I've seen the name pop up so many times but haven't really given them enough attention prior to this release, I mean, I've given their 2015 full length a few playthroughs but never gave them much thought until their promo track from this came out on Slam Worldwide. For their portion of the split they provide a healthy slab of slam. the production on these tracks are absolutely sick. The guitar tone is nasty, the bass is clanky and audible, the drums are powerful, and the vocals are thick a fuck. When you first hear Bonebreaking Torture Hammerage, you get a taste of that guitar and bass tone and pretty much know what you're getting yourself into. Raped and Dismembered By A Wookie is definatly the standout track from these guys for me though. It opens with some filthy blasts that lead into a ridiculous slam that just builds and builds and builds until it drops briefly only to descend back into blast beat madness.
I'm familiar with Pit of Toxic Slime from their split with Fermented Masturbation and their 2017 full length and can without a doubt say I'm a fan. Hailing from Italy, Pix Of Toxic Slime play a brand of brutal death metal all their own. I'm sure some dickhead will chime in and say "all these bands sound the same" but Pit of Toxic Slime have a riffing style that reminds me of OG death metal bands and a bit of New York hardcore bands. Liar has some riffs that remind me of old school Obituary and Suffocation but still with the modern brutal death sound and Hate For The Masses has some sections that bring to mind the spastic sounds of early Cannibal Corpse. Infamous Pt. 2 has to be my favorite track here from them though, just based on the riff that comes in at 1:34, fucking unreal.
Finally we have the legendary Traumatomy who you are probably familiar with if you're a fan of the brutal death scene. This is the second release from them since the lineup change and the first with current drummer Alexey Belov and is a great addition to their discography. For me I'd say these could very well be my favorite Traumatomy tracks produced yet. Hysteric Decapitation is frantic and all over the place switching between dank slams and relentless blasts building up into one of the meatiest riffs at the very end of the song. My favorite part though is in Realms of Inhumanity at 2:37 where the guitars break away and speed up albeit briefly
Overall you'd be hard pressed to find a split as heavy as this one, and for me this has been my favorite split all year outside of the Full of Hell/Intensive Care split that came out earlier this year. Each band hits hard on the four tracks each of them serve up, the production is crisp and tight without sounding over produced much like most of today's death metal scene.
A huge shoutout goes to Putrid Coffin Records for releasing this aswell. For a relatively new, independent label to release something thats been as highly anticipated and well received as this split is a huge achievement for small labels, make sure you keep an eye on them aswell because they've talked about releases from Scourgery and Defleshed and Gutted coming out later this year aswell.
Physical & Digital Copies of The Rampage Split Available Here
Putrid Coffin Records Website
Putrid Coffin Records on Facebook
Agonal Breathing on Facebook
Gangrenectomy on Facebook
Traumatomy on Facebook
Pit Of Toxic Slime on Facebook
Monday, 10 September 2018
Imprisoned In Skin, the debut full length from Scotland's Endless Swarm is a fresh take on an old sound. Rather than building on the foundations their previous releases have showcased, they've pushed the boundaries of not only their own sound but of the genre itself creating one of the freshest sounding grind/powerviolence albums to be released in the last ten years and production wise this is a huge step forward not only for Endless Swarm but for powerviolence itself.
Right off the bat you're met with furious blasts and intense riffing this side of a Crossed Out record. Blasting continues to carry on straight through until track four (Interpolate) where we get a brief moment where the bass shines through and trudges along. One of my favorite parts of this album was how prominent the bass was especially on Corrosive Matter where it switches off twenty seconds into the song and drops a nasty bass line.
Throughout the short duration of this album, a mere twenty minutes, you'll find buzzsaw like guitar riffs, mosh inciting breakdowns, the thickest bass tone provided by any powerviolence band I've ever heard, vocals that opt between Full Of Hell styled death grunts and a beefy hardcore shout, and blastbeats that would make Dave Witte proud. Imprisoned In Skin isn't a super complicated album but I really don't think it was meant to be, I feel like this album was just years of anger and frustration with the world manifesting itself in an aural assault.
Imprisoned In Skin releases on October 1st preorder it HERE
Follow the band HERE and try to catch them at a show
Monday, 3 September 2018
I guess that brings us to today's post which is the newest release from Northern Ireland's own Debridement.
Formed in 2016 by Connor Brown, Debridement play a brand of brutal death metal all their own (all his own?). I've been following this band since Vomiting Forth From The Earth was released last February and have been waiting patiently for the first full length release pretty much since the moment Vomiting was released.
Here we have Drowning In A Cesspool of Malform And Malady (which from here on out I'll just refer to as DIACOMAM because it's too much work for a lazy prick like me to type that every time) which is 10 tracks of absolute filth. The first track Adrenochrome sets the pace for the album, opening up with a sample before bringing in one of the beefiest riffs I've heard in a long time. Adrenochrome slams hard before shifting into a groove riff then descends into absolute blastbeat chaos. Track 2 (Dank Mank Stankin Skank) carries on with the beef, opening with another sample (which are found all over the album) and then opts to switch off between dank slams and unrelenting blast beats.
The change in tempos keep the album sounding varied and fresh sounding all while maintaining the unrelenting brutality brought by the meaty riffs which are equally as spastic, but are intricate and tight enough to keep you going "holy fuck". The drums here are very heavy on the double bass and while programmed (I think? I could be wrong) they manage to tie everything together flawlessly and the bass itself is thick and cuts through the mix when needed. Vocally... well I mean, look at the cover art, you know you're getting some of the thickest gutturals in the game, the guest spots from Lukas and Pumpa (Stillbirth) on Reefer Addict and Marc (Colpoclesis) on Sputum are also well placed and add to the heaviness factor.
All in all this is easily one of my favorite death metal releases this year and without a doubt Debridements best release to date. The production is crisp without sounding overproduced, the songs are well crafted and keep you hooked and the artwork provides the perfect visual representation of the music. Sick, Heavy, and Depraved.
DEBRIDEMENT ON FACEBOOK
PHYSICAL COPIES AVAILABLE VIA THE BAND
DIGITAL COPY AVAILABLE THROUGH ROTTEN ROLL REX
My band has crossed paths with these guys a couple times this past year and between playing a ton with them in Hamilton and having them out to the yearly festival my band organizes in our hometown (where I actually filled in on bass for them) I can without a doubt say that I've listened to this EP more than probably any other release from a local band.
Gouge The Eyes opens with the title track (a rerecording from last years demo) and it rips though in just under a minute with blistering speed. The first time I listened to this EP I actually didn't realize that it was over and thought that track 2 was still the first one. Bastard in a Basket carries on the unrelenting speed and heaviness brought in by Gouge The Eyes although there's some slower groovy sections that help break up the chaos. Tracks 3 and 4 (She Must Be Sick and Eat Your Friends) carry on with the fast/slow sections that came out in Bastard In A Basket but that's not to say it's all the same. Eat Your Friends has a sludgey breakdown section towards the end of the song that I get excited for everytime the song come on. Finally we have the last track Winds Of Shit. This is probably my favorite track, there's some rediculously heavy dissonant parts and sections that sound heavily influenced by The Dillinger Escape Plan, especially in the drumming.
Overall this is a solid outing and I'm truly excited for whatever they do next.
FFO: Maranatha, Cursed, Homewrecker
Gouge The Eyes on Bandcamp
FOLLOW MEATSHIELD ON FACEBOOK
Hailing from New York, Imperial Triumphant play a brand of blackened death metal unlike anything you'll ever hear but to just call this a blackened death metal album would truly not do it justice. Album opener Swarming Opulence starts off with a horn section before jumping down a well of dissonance and blastbeats creating a swelling of sounds and textures that I've only heard bands such as Gorguts and Artificial Brain successfully pull off. There's sections of this album such as on Lower World an Chernobyl Blues where you think it's going to relent (and it does briefly) but there's always an underlying sense of manic chaos in the background and when they choose to bring the heaviness and chaos down to a minimum it brings almost a film score feel to it and you can almost feel the New York art scene wrapping itself around the album.
The instrumentation on this album is top notch on this outing which is not to say that previous releases were lacking but that this one has definitely set a new bar. The guitars are heavily dissonant and create a sense of dread, the drums blast throughout while stopping just enough to create new textures in the less chaotic sections, and the bass thumps and shines all over.
Overall I'd recommend this album heavily to the bands mentioned earlier (Gorguts/Artificial Brain) but I'd also recommend this album to anyone looking to explore new sounds and territories in the metal scene. Where many bands try to experiment and it comes off as sounding derivative and like a watered down version of their influences Imperial Triumphant have created something truly unique and desolate sounding.
Buy Vile Luxury direct from the band here
IMPERIAL TRIUMPHANT ON FACEBOOK
Vile Luxury VIA Gilead Media
Vile Luxury VIA Throatruiner Records (EUROPE)